Posts in Lessons from Set
Producer Thoughts: Carnets for Film and Crossing Borders

Filmmaking can lead to amazing experiences. Whether that be climbing the mountains of Colorado, the sunny coasts of California or the empty spaces of North Dakota you can see a lot of the world while making films and telling stories. But what about when your story requires you to travel outside the country? That’s where today’s topic of carnets come in.

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Striking: Top Tools for Grips

If you’ve been following me or my blog for a while now, you probably know that I’m working to establish myself as a producer in the film industry. However, working G&E was where I actually got my start in the industry having worked multiple features, shorts and commercial projects as a grip. Today I thought it would be fun to take a break from the producing talk and share the five tools I think everybody should purchase when getting started as a grip.

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Producer Thoughts: Stewarding Your Production

Earlier this year I was blessed to attend the 2021 Christian Worldview Film Festival and Filmmakers’ Guild. As an up and coming producer in the industry one of my favorite parts of the Guild was the Producer Q&A Panel. One of the things that made this panel so great for me was that the concept of stewardship was brought up in light of a producer. This is a concept that has been on my mind in regards to being a producer for some time and to hear other producers talking about it was really cool. So I thought I’d take some time to break down some of my thoughts on the concept of stewardship and how it applies to being a film producer.

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Producer Thoughts: Filming During COVID Times

To start off, let’s address what this article is not about. This article is not about testing for COVID; how it should be done, when it should be done, what type of testing should be performed. It’s not an article about masks; when they should be worn, do they work or what type you should wear. If you want answers to those there are plenty of resources put out there by Hollywood and the medical industry on what to do.

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Producer Thoughts: Takeaways from a 12 Hour Film Race

Last month before everything started shutting down due to the Coronavirus I got to join a number of other filmmakers, some I previously knew and some I didn’t for a 12 hour film race. Similar to a 24 or 48 hour film race we were divided up into two teams and given 12 hours to create a film from concept to locked edit. Thankfully those 12 hours didn’t include rendering out the project.

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Always Come Prepared: Top Tools for Production Assistants

We’ve all been there at some point in our filmmaking career. Starting out at the bottom of the totem pole learning how a film set works and what departments we want to work in while trying to build a resume. Generally that takes the form of being a Production Assistant, and whether you’re getting ready to PA on your first set or are 10 years into your career and PA occasionally on projects there are a number of tools that will not only make your job easier but help you catch the attention of other people on the crew as someone who is serious and can be depended upon.

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Producer Thoughts: Finding Your Dream Team

We’ve all heard the stories about film projects with bad crews. Those projects where people didn’t know what they were doing, everyone was upset and people were yelling and snapping at each other. But how can you bring together a crew that will not only complete the project but do it without biting each other’s heads off? Let’s take a look.

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Producer Thoughts: The Importance of Those Early Films

We all have those projects. The ones that are now set as private on your YouTube Channel, hidden on a DVD or VHS tape, or securely locked away, buried on a hard drive with dozens, if not hundreds of other projects. Whether you’re just getting started or have been in the industry for years making blockbusters we all started in the same place and we all have those projects that we hope will never see the light of day again.

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Producer Thoughts: Tips for Finding Great Film Locations

When it comes to real estate what is the one phrase you always hear? “Location, Location, Location.” In filmmaking it is no different. Whether it’s a teenager’s bedroom, a garbage strewn alley or a mountain summit, the right location can bring your film to life and greatly increase the production quality of even lower budget shorts, commercials and features. But what goes into finding those locations and more importantly what keeps you from getting kicked out of those locations?

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Producer Thoughts: Every Filmmaker Should Be A Producer

When you think of roles on a film who comes to mind? Certainly, the writer and director, who created and crafted the story; the actors, who brought the characters to life; the editor, who made the film presentable; and the composer, whose score you’re still humming. Yet so often people forget about the Producer and his instrumental role in crafting the film. In fact, the role is so important I believe every filmmaker should produce someone else’s film during their career.

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